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Guest Post: Marketing Your Writing (Part II)

February 26, 2010

This post is part of the Guest Post Giveaway at the blog Unready and Willing. If you think articles about writing or personal development (or personal development for writers) sounds like a good fit for your blog, please take a look at the Guest Post Giveaway page and see if any of the articles spark your interest.

Continuing where Part I left off:

1.    Build Your Brand - Your personal brand is the combination of you and your product. You must establish your mission and identity as a writer, and this should be reflected by the writing that you produce.
2.    Make Connections - Marketing is all about making connections. It's not just about making connections with the right people, but also making connections with the wrong people who know the right people.
3.    Build Relationships- You must make strangers into acquaintances and acquaintances into friends. You must build trust and affinity with your personal brand.

Make Connections

Only a few people that you know, if any, are members of your target audience. Most people that you know, however, are certain to know people who are members of your target audience. That's why it's important to make connections.

Not all connections are to be treated equally, of course. Making a single connection with one person could be worth making connections with 20 others. You could, for example, make a connection with the editor of a popular magazine with thousands of readers. You may know a college professor who's willing to pass your name on to students that might benefit from reading your work. You may run into a talented web designer who's so impressed with your writing that he or she offers to revamp your website for free. You might establish a connection with someone who runs a book of the month club with 50 readers, and each of those readers may have five friends each who are interested in what you're writing. A wealthy philanthropist might come across your website, be impressed by your work, and give you a $10,000 donation. All of these connections could be a phone call, an email or a mouse click away.

Making connections like those listed above are not a matter of luck, but a matter of persistence. It's quite possible you could make 100 connections before running into someone that could really help you out. What the skilled marketer must do then is see beyond any single person and do their best to get in touch with all the people they know and all the people that those people know. If you continue to do this, It's only a matter of time before you make that "miracle" connection.

So how should you make these connections? Believe it or not, you already have a lot of connection building tools in your arsenal. In order to be a master marketer, you must become familiar with them all. You may, for example, be the most terrible cold caller in the world, but if you're persistent, and improve your skills in that area, it may become your best connection maker.

Here's a list of some connection making tools:

  • You
  • Your writing
  • Your website
  • RSS feeds and directories
  • Internet bulletin boards and forums
  • Emails
  • Newsletters
  • Affiliate programs
  • Link building programs (link exchanges, blogrolls)
  • Online contests
  • Your own e-zine
  • Other peoples e-zines
  • Webinars
  • Live seminars
  • Advertisements (from Craigslist to Google Ads to print media)
  • Writers conferences
  • Interviews (both being interviewed and interviewing others)
  • Speaking or reading stories at events
  • Business cards
  • E-books
  • Podcasts
  • Vlogging
  • Snail mail
  • Asking for referrals
  • The phone
  • Print media
  • Social networking sites (Facebook, Myspace, Linked In)
  • Slogans
  • Memes
  • Word-of-Mouth
  • Alternative web navigation tools (delicious.com, Stumbleupon)
  • Other websites and blogs
  • Elevator pitch
  • Personal PR

As you can see, the amount of options you have to build connections with your audience are almost endless. As it'd be a Herculean task to master all of these at once. It'd be best to focus on one at a time until you get the hang of each. Try as many as you can, especially the ones that scare you, as those can be indications of where you can grow.

For starters, choose some of these weapons and make a full frontal assault on your target audience. Don't depend on any single tool for your marketing success. It's important to take advantage of several tools at once. You must not, for example, rely on your website as the only way to make connections. Use your other connection making tools to leverage each other. Send letters to publishers and tack your website address in the letter. Make cold-calls or write emails to people who might be interested in your site and send them a link. The key to good marketing is repetition. The more people hear about you and your writing the more they'll be curious about it. If you approach your audience using all the tools in your arsenal, chances are the right people will see your name enough times to want to know what you're all about.

Kenji Crosland is a creative writing major who, scared of becoming a starving artist, became a corporate headhunter in Tokyo. Since then he's regained his sanity, quit his job, and now blogs about creating an ideal career at unreadyandwilling.com. He is also developing a web application that just might change the internet. Follow him on Twitter: @KenjiCrosland.

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What's (Really) In a Name?

February 23, 2010

If you don't give your book a good name, it will get teased on the playground, and grow up to resent you because of it. A title is how people know and remember a book, much as they know and remember a person. At Greenleaf, work on a book's cover design does not begin until the title is set. The title is the beginning, the introduction, the opening statement, and it sets the tone for the reader. So make it good.

But also make it useful. You have more leeway with a novel, but for non-fiction especially, the title must set a reader's expectations. Momma's Big Book of Classic Sewing Patterns does this pretty well, whereas Sew Be It is (arguably) wittier, but a reader would probably have to read the back of the book before knowing exactly how the book related to his or her favorite hobby. Warm Meals for "Chili" Days . . . and Nights! is both direct and (arguably) witty.

Pay attention to the interaction between title and subtitle. If your book has a punchy, one-word title, your subtitle needs to be long enough to provide clear explanation (Ka-BOOM!: 13 Strategies for Explosive Revenue Growth in the Mining Industry). Conversely, if you have a longer title, you don't necessarily need a long subtitle (The Only Guide to Revenue Growth You'll Ever Need: 13 Successful Strategies).

If you're having difficulty deciding on a title, tell people about your book in your own words, and describe what you want your readers to come away with. Sometimes that will shake loose some important key words or phrases, and you can build from there. If all else fails . . . just go for it.

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Guest Post: Marketing Your Writing

February 17, 2010

Part I of III: Build Your Brand

This post is part of the Guest Post Giveaway at the blog Unready and Willing. If you think articles about writing or personal development (or personal development for writers) sounds like a good fit for your blog, please take a look at the Guest Post Giveaway page and see if any of the articles spark your interest.

Marketing your writing is essential if you want your work to be read by a wide audience.

For many, marketing is an alien word that may conjure up images of people in suits sitting at round tables analyzing market trends, consulting with focus groups, and pouring millions of dollars into nationwide ad campaigns. It's big company stuff that individuals don't have the time, money, or skills to get involved in.

Because of this image, many writers have considered the job of marketing their writing as something that publishing houses or literary agents should do for them. The reality is, however, that although the big publishing houses may do a great job in promoting the next bestseller, they'll seldom take the risk to market the work of an unknown author. If you want to take advantage of the marketing might of the publishing houses, you must first learn how to market your writing on your own, to get your writing read by enough people that you get on a publisher's radar, and make it worth their while to consider promoting what you've written.

The goals of marketing your writing are simple: you want to raise awareness of your writing, get more people to read it, and to keep them reading. If you're persistent and committed to your marketing effort, it's only a matter of time before that book offer arrives in your mailbox.

Self-marketing, unlike what a large corporation would have to go through, is much simpler than focus groups and market trend research, and can be broken down into these three steps:

1.         Build Your Brand - Your personal brand is the combination of you and your product. You must establish your mission and identity as a writer, and this should be reflected by the writing that you produce.

2.         Make Connections - Marketing is all about making connections. It's not just about making connections with the right people, but also making connections with the wrong people who know the right people.

3.         Build Relationships- You must make strangers into acquaintances and acquaintances into friends. You must build trust and affinity with your personal brand.

Build Your Brand

Just as Apple has Steve Jobs, and Virgin has Richard Branson. Your writing must have you.

Although you may have not consciously worked to build it, you already have a personal brand. A personal brand is all the thoughts and feelings that are associated with you and your work. A strong brand will capture people's imagination and will make people remember you, your name, and your writing. A weak brand, however, can make it very difficult to promote yourself, no matter how much time and energy you spend on marketing efforts.

Stephen King has an incredibly strong personal brand. His name has become almost synonymous with horror, and just by picking up one of his books, without even reading word one, you can feel the uncanny weight of all his monstrous creations. Even if the book you read wasn't one of his best, your reading experience would still be enhanced by its association with the Stephen King brand, with all the other books of his that you've enjoyed.

Michael Jordan has a strong personal brand, a brand which speaks athletic prowess and determination. When great athletes like him wear Nike merchandise, the power of the swoosh becomes amplified by association with their athletic talent. Because they wear Nike, you're likely to associate their athletic skill with Nike merchandise, and you'll probably even feel like a better athlete when you wear Nike because, on a real subconscious level, the athletic skill of these athletes have been transferred directly to you.

As you can see, a strong brand can have a powerful effect on how we view a product, movie, or book. If you can work to build your brand, to strengthen it and harness its power, it can be a tremendous asset to your marketing effort. So how can you work to start building an incredible brand? How can you make your readers tremble in anticipation even before opening your book?

As a writer, your personal brand has three elements:

1.         Your Story

2.         Your Mission

3.         Your Writing

If you work to develop these elements of your brand, you'll find that the other two steps of marketing: making connections and building relationships, can be much easier, and sometimes will even take care of themselves.

Your Story

When you build your personal brand, make sure that people know where you came from and why you decided to be a writer. The important thing is not to make yourself look good, but make your self look human and good. Stephen King worked in an industrial laundry while writing his first novels. Quentin Tarantino worked in a video store discussing movies with people in the film business before a producer convinced him to write his first screenplay. Tony Robbins worked as a janitor before becoming the incredibly successful self-help guru he is now. These fascinating stories are not only memorable, but naturally color the way we view the work of these people.

A good personal story is not always about sharing your triumphs. It's also about admitting your pain, your faults, and your past mistakes. Steve Pavlina, for example, arguably the most popular blogger on the internet for the topic of personal-development, revealed a past where his out of control kleptomania landed him in a jail cell when he was 19-years-old. We sympathize with the pain of his past as well as admire the steps he took to improve himself and achieve an amazing level of success. These strong emotions of sympathy and admiration will naturally affect the way we read and value what he's written.

Your story must be fascinating, but it also must be truthful. It's not merely listing your age, sex, occupation, and the town you grew up in, and it's not just a chance to boast of your accomplishments. What it is is sharing with other people a story that reveals your humanity. You want to paint a picture of yourself that would make your reader want to have a beer with you.

So what's your story? What has led you to decide to pick up the pen and write? Declare it with bravery and honesty, and you'll be amazed at the kind of reception you'll get.

Your Mission

There was a student who sat next to me in a political science class nearly ten years ago who seemed to know more about political science than anyone else in the class. When I asked him why he was so interested in political science he looked at me straight in the eye and said, "I want to become the President of the United States."

From the look on his face I knew he wasn't joking, and even though we probably only had a five minute chat, to this day I still remember that student's name.

If that student said something less ambitious and generic, like: "I'm thinking about getting into politics," I probably would have forgotten about him as soon as the class was over. It was the boldness of his stated mission and the energy and certainty with which he said it, that had its effect on me. His mission and the way he said it conveyed a sense of power, self-confidence, and determination. It made me believe that even though he may not become president, he would certainly go far in a political career.

Whether it's writing, politics or ostrich farming, determining your mission and letting everyone know about it is essential to building a powerful personal brand. Your mission should convey your ambition, as well as be original enough to distinguish yourself from others.

The purpose of having an ambitious mission is simple. People remember people who have high and lofty goals and can give evidence that they're taking real actions to achieve them. It doesn't matter how far away you are from achieving the goals, but you must convey a sense that you're committed to achieving them no matter what. When people see this kind of dedication, especially for a goal that seems particularly difficult, they'll naturally want to do their small part to help you out, to make the achievement of your goals a little easier.

Originality is just as important as ambition. What is it that differentiates you from everyone else out there? If you write comedies, you should do more than tell people that you want write a bestselling funny book. You should give them specifics. Tell them that you want to write about duck boogers in a way that no writer has before. Not only will you catch them off guard, but you have given them a short advertisement for your upcoming duck booger book. If you write science fiction, tell them you're currently working on designing alien spaceships. If you write horror novels, tell them that you're working to scare the pants off the English speaking world. The point is to be remembered, and you have to be original if you want to be remembered.

Your mission is an important part of your personal brand. It not only distinguishes you from the rest of the crowd, but it can also help you be recognized by those who matter. The mission for your writing can change from time to time, but it should resonate with your overarching life goals. If, for example, your overall life mission is to help people overcome depression, you could do this by writing inspirational novels, or by writing a self-help book. Indeed, you could write both the novel and the self-help book, and as long as they both serve the same mission, the power of your personal brand can only increase.

Your Writing

Your writing is without a doubt the biggest part of your personal brand. It's the chief representative of your values as a writer. It's important that you write in a way that's consistent with your story and your mission. When you do so, you integrate all three elements of your personal brand.

In order to use your writing to strengthen your brand, you must of course produce good writing. Good writing itself, however, is often not good enough. In order to really take advantage of the marketing power of your writing you must not only be true to your story and your mission, but you must clearly convey your ideas, themes, and subject matter in a way that'll make people want to talk about it and quote it.

It's important for your writing to be timeless, to cover universal subjects that'll never grow old, but it should also contain some element of the timely. Timelessness in writing is good because you can be sure that your writing will have some staying power. It's the reason why people still read classic novels that are a hundred years old. Timeliness, on the other hand, is the stuff of the bestseller. It's relevant to what people are talking and thinking about right now. If there's relevance, then you can be sure that people will be talking about your book. This is the reason why books about investing money are released during a period of economic growth and books about saving money are released during a recession. If you endeavor to capture both the timely and timeless, it won't be long before you have a winner on your hands.

Even timely topics and ideas, however, can sometimes fail to catch on. One way to prevent this is by implementing Idea Chain Management. Idea Chain Management is essentially the packaging of ideas for easier distribution. It's the distillation of a complex idea into a three-word-or-less phrase or buzzword that's still true to the original idea. Although non-fiction works have taken the credit for many buzzwords, fiction too has supplied us with a good share of words and phrases that we use in everyday conversation. The words "Big Brother," for example, have become synonymous with an overbearing government infringing on people's privacy. This term will forever be associated with George Orwell's 1984. You can be assured that the more people that hear or read the word "Big Brother," whether on the news or on the blogs, the more people will buy his book.

In order to make your writing an effective marketing tool it can be helpful to implement the above tricks. The most important thing, however, is that you be true to your story and your mission. Make sure you do so whenever you put your name to your writing.

Kenji Crosland is a creative writing major who, scared of becoming a starving artist, became a corporate headhunter in Tokyo. Since then he's regained his sanity, quit his job, and now blogs about creating an ideal career at unreadyandwilling.com. He is also developing a web application that just might change the internet. Follow him on Twitter: @KenjiCrosland.

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Book-Buying Statistics Galore

February 15, 2010

For those of you who like statistics and pie charts, we wanted to share the results of a recent survey about reading and book-buying habits. Conducted by Verso Advertising and presented at last month's Digital Book World conference in New York, the survey covers the demographics of ''avid readers,'' the types of online marketing that consumers deem most effective, and readers' views on some hot topics in the ebook space, like pricing, bundling, and piracy. See the slides from the presentation here.

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Nautilus Book Awards Deadline Extended to February 28

February 8, 2010

The Nautilus Book Awards, which recognizes "books and audio books that promote spiritual growth, conscious living, and positive social change," has extended its deadline for entries to February 28, 2010. The award is open to all publishers and self-published authors with books published or produced in 2008 or 2009 in the English language. Check the category list to see if your book would be a good candidate for a Nautilus award. Because there may be some overlap between categories, the kind people at Nautilus will even reposition your book if the category in which it was submitted is not the most appropriate choice.

To enter, you'll need to fill out the entry form, pay the entry fee, and have four copies sent off to Nautilus, postmarked no later than midnight, February 28, and sent via FedEx, UPS, or USPS Priority Mail with delivery confirmation. For more information, visit the Nautilus Book Awards website or email marilyn@nautilusbookawards.com. Good luck!

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Being a Tease Can Be a Good Thing: The Value of Free Content

February 1, 2010

Many forms of entertainment have been releasing free chunks of content for promotional use for ages. The music industry has singles. The movie industry has trailers. Publishers and authors have to figure out ways to do the same thing with the written word.

The good news is there are lots of ways to do this. As authors, you should be taking advantage of all the technology available—by uploading content to websites and social networks that allow book excerpts (FiledBy, BookBuzzr, Scribd, Redroom, SlideShare), posting samples on your website, tweeting about your samples online, etc. Do not be afraid to put your content out there. Tease the readers. Leave them wanting more.

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Market Yourself, Market Your Book: Online New Year's Resolutions for Authors

January 11, 2010

The beginning of the year is an exciting time for everyone—including authors. Along with your other resolutions, it’s important to remember that a new year represents a fabulous opportunity to establish, enhance, or even reinvent your author image. Marketing yourself is huge part of making any writer’s book a success. The Internet—and social media, more specifically—has increasingly become the most important aspect of a publicity campaign. If you have not already ventured onto online reading communities and other sites that can help authors spread their work, there is no better time than now! Here are a few to get you started:

  • Red Room: A site dedicated to connecting authors and readers. As a Red Room author, you can create a very professional customized page that allows you to upload published works, reviews, interview transcripts, videos, podcasts, as well as blog entries.
  • Goodreads: A book-sharing and reviewing site that allows you to sign up as a published author and get your own page, which will include a short biography and background information, separate pages for your books, a place to add links to reviews and interviews, friends and followers, a comments space, and other common features of a social networking site.
  • Shelfari: An interactive bookshelf and community for readers, Shelfari allows to create your own profile with a list of favorite books, which you can then review, rate, and tag. A page is created for each author and book, which can be edited by you (or the public at large).
  • Scribd: A document-sharing site—it's been called the "YouTube for documents"—where authors can create their own pages and profiles, and easily share a variety of documents—including book excerpts, reviews, interviews, or other book-related paraphernalia for people to view.

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Get to Know Your Book Tweeple: Publishing Industry Professionals on Twitter

January 4, 2010

Weekly-Tip-2103By the beginning of 2010, you should have heard something about the multipurpose power of Twitter. Tweens can keep tabs on Miley Cyrus; huge corporations can interact with their customers; authors can get visibility with readers. But besides reaching out directly to their target audience of readers, authors can use Twitter to access communities that can be crucial to the success of their book—like booksellers. Generally passionate about their work, booksellers have a large and vocal presence on Twitter, and the Twitter-savvy author would do well to befriend them.
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John Kremer has a long list of booksellers on Twitter, and Jennifer Tribe of Highspot Inc. has compiled an amazing directory of book industry people here. In addition to booksellers, Tribe’s list also includes publishers, agents, publicist, author services, and more. As you follow people you’d like to know on Twitter, remember that it’s as useful a listening tool as it is a broadcasting tool: get to know what each specific bookseller uses Twitter for, and join the conversation respectfully, waiting for a while before you start pushing your book on anyone. Once you’ve followed and gotten to know the bookselling community on Twitter, we’re pretty sure you’ll want to stick around: they’re smart, helpful, and a lot of fun.

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The Scoop on Book Store Real Estate

December 30, 2009

bookstoreLast month, Fast Company did a great story on bookstore co-op deals, in which publishers pay booksellers for inclusion on front tables, end caps, face-out placements, etc. So, yes, those books out front at Barnes & Noble are there because someone paid for them to be there, not necessarily because they're the best or most important—although, of course, bookstore buyers only allow placement for books they believe will move. (Also, the two indie booksellers we've asked, BookPeople and Vroman's, say that featured "employee picks," an upaid form of co-op, are completely at the employee and bookseller's discretion.)

It's an interesting negotiation, and as bookstore space shrinks and brick-and-mortar book shoppers dwindle, co-op placement for books becomes increasingly important. Adam L. Penenberg, author of Viral Loop, gives an good overview. Read it here, and have a Happy New Year!

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Tips on Submitting to ForeWord's 2009 Book of the Year Awards

December 22, 2009

Picture 1The deadline for ForeWord magazine's Book of the Year Award is January 15, 2010! ForeWord is a trusted and widely read print magazine and online review service for readers, booksellers, and librarians; receiving a good review or award from them lends credibility to authors and enhances the marketability of the book. Whitney Hallberg, Awards Coordinator for ForeWord sent out a helpful letter yesterday with submission tips for authors and publishers. She's kindly given us permission to reprint them here. If you plan to submit, be sure to read these first!

1. If you can’t decide what category to enter your books in, look at previous years’ winners and finalists in the categories you’re considering. This will give you a good idea of what kind of books each category receives. Past winners are listed at http://www.forewordmagazine.net/botya/. Pick the category you think is best, but know that our finalist judging panel will move books to different categories if they think they’ll compete better.

2. Two copies, please! Two judges will be looking at every book that’s named a finalist, so we need two copies of every book.

3. Save postage—package entries together. If you’re entering more than one book, you can box them all together.

4. Think about the real people—my coworkers and me—who will be opening your packages, and don’t use too much tape and packaging! We don’t want your books to fall out in the mail, but in order for them to be considered for the awards, we have to be able to get them out of their envelopes.

There you have it: advice straight from the source. Be sure to follow Whitney's practical advice for the best chance at having your work recognized. Finalists will be named in March; winners will be named at BookExpo America in June

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