How to Make Your Author Website Mobile-Friendly
May 17, 2012Have you visited your website on a smart phone recently, navigating through each individual page? No? It’s easy to neglect this step during the website-building process, but the performance of your site on mobile devices is increasingly important.
There will be 1.7 billion mobile Internet users by next year alone, and 80 percent of customers abandon a site—potentially forever—if they have a bad mobile experience. That’s a pretty huge reason to make sure your website is navigable via mobile devices.
So how should you go about ensuring your readers have an optimal mobile viewing experience?
Start by visiting http://www.howtogomo.com Google’s mobile measurement initiative. There you will find a tool called the GoMoMeter through which you can enter your website URL and receive an idea of what your website looks like to consumers, a mobile-friendliness ranking, and some other statistics on your site’s mobile performance. How’d you do?
If your website isn’t exactly measuring up, you might start with a simple solution—installing a mobile plugin. If your website is on a Wordpress platform, Copyblogger suggests installing WP Touch for a thirty-second solution; just be sure to also allow viewers the option to view the full, non-mobile site.
Simply installing the plugin shouldn’t be the be-all end-all of your mobile efforts, however. Luckily, the hallmark of good mobile site design is simplicity. A clean, comprehensible webpage is the way to go and shouldn’t be too much of a time burden.
Be wary of using too many images and don’t rely at all on Flash or Javascript. Make your navigational tools easy to understand and read. Write concise, compelling website for your site, and prioritize certain pieces of information so that mobile users can get where they need to be quickly.
You should make sure the buttons on your site are easily clickable and enable the site to correspond to screen size. If a viewer has to zoom in 1,000 percent simply to click the correct link or read your content, you’re likely losing users.
You should also be sure that your website takes advantage of mobile phone capabilities. Features like click-to-call and map-enabled locations should be work with your site. You might also consider having author interviews launch within a YouTube app or linking your ‘buy book’ button to the Amazon app, increasing ease of usability for your mobile fans.
As you perform updates on and add new content to your website, check the site regularly on HowToGoMo and on your own (or friends’) phones. And don’t forget to view your website on a number of different mobile platforms—Android, the iPhone’s iOS, BlackBerry, Windows Phone, and many more.
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http://www.greenleafbookgroup.com/trackback/3130Podcasts: The Why, The How, The Who
September 27, 2011The Why
Podcasts have grown so popular in the past few years that they now cover every topic under the sun, from technology to comedy, from family fun to business. And it’s no wonder so many people choose this medium to amplify their message—podcasts are a quick, portable, and oftentimes free way to reach an audience and spread your opinions and thoughts.
They’re also a valuable tool in growing your platform and diversifying your content, so if you have something to say, you should consider recording it in a podcast. A simple Google search reveals that several thousands of people have chosen to take that route.
Luckily for you, the hardest part of making a podcast isn’t in the technicalities. The difficulty comes in cutting through the clutter and reaching your intended audience. To do so, it is vital that you provide quality content and execute your podcast in a way that intrigues the public. Whether your intention is to put together a series or a one-time recording, a simple tool like an outline will help you gather your thoughts and keep you on-topic. Other things that you should keep in mind while brainstorming your podcast’s content include the following:
- Make sure your objective is clear and your content differentiated.
- Let your personality show. If you want to grow your audience, your listeners have to feel like they’re getting to know you.
- Keep a steady pace. Don’t rush through what you have to say. If you want to go longer than the typical thirty- to sixty-minute runtime of a podcast, split it into two podcasts.
- Consider fielding questions through email or social media and then addressing them in future podcasts or in other content you produce. Use the podcast to familiarize yourself with the kinds of questions your audience wants answered and the kind of content they find helpful.
The How
While recording and broadcasting may seem like a daunting undertaking, there are several resources that provide software and instructions to record, broadcast, and market your podcast (quite a few of which are free). The easiest way to jump into the world of podcasting is to employ one of these resources and start recording.
Here’s a selection of services you can use to help you with your podcast:
Audacity is an open-source program that has many sound recording and editing capabilities. It allows you to record voice tracks, include music in your recording, and edit and manipulate what you have recorded. Audacity.sourceforge.net
Podbean is a one-stop shop for podcasting. You can use it to create and host your podcast, and it also offers special features like statistics, an iTunes preview, and opportunities to generate revenue from your podcast. Podbean.com
BlogTalkRadio is marketed toward users that want to create their own radio station. If you are looking to host a long-running series and are willing to buy into one of their packages, this may be a good option for your podcast. BlogTalkRadio offers features such as show scheduling, live interaction with your audience, and podcast hosting. BlogTalkRadio.com
All three of these services provide an easy-to-use interface and instructions that will walk you through the production of your podcast. You can also get a detailed how-to at Podcasting News.
The Who
After all the technicalities of the production of the podcast have been tied up, you will need to upload your file to a hosting site. The hosting site will be the place where people can go and listen to your podcast. The site will also provide you with a link that you can share on your website and through your social media channels. If the service you choose to produce your podcast includes hosting services, you shouldn’t have any problems following the instructions provided. If you choose to use software, like Audacity, that does not include hosting capabilities, you will need to choose a website that best fits your hosting needs.
There are several sites that can host your podcast. Most hosting sites will give you a small amount of bandwidth for free with a simple registration. If you’re aiming to produce a series, you may need a larger amount of space than is provided and need to pay a small fee. Figure out how much bandwidth each of your shows will take up and then gauge which site offers the best deal for you.
Here are some podcast-hosting services:
Easy Podcast takes you through three steps that get your podcast tagged, set up with a customizable RSS feed, and uploaded to your website.
Libsyn offers different amounts of monthly storage at different prices. If you’re looking for professional help in managing your podcast, they also offer a service called LibsynPro.
For maximum exposure, submit your podcast to search engines and podcast subscribing sites. The resources mentioned below are all great ways to market your podcast.
iTunes provides access to thousands upon thousands of podcasts and is one of the most popular destinations for podcast listeners. Because iTunes has established itself as a go-to destination for podcasting, there is an approval process and stipulations that need to be followed in order for your submission to be complete. For a complete rundown of how to get your podcast on iTunes, check out its FAQ for podcast makers.
Feed Shark operates by “pinging” services that target blogs, RSS feeds, and podcast promoters to spread the word about your podcast. It’s an efficient, easy way to reach out to a large number of sources.
Podcast Alley is a podcast directory as well as a wonderful resource for viewing tutorials and accessing information on podcasts. The site will index your podcast and make the link available to people searching for the particular topic or genre your podcast falls under.
Happy podcasting!
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http://www.greenleafbookgroup.com/trackback/2811Gadgets & Gizmos: What You Should Know About E-Readers
June 27, 2011Kobo, Kindle, iPad, Nook, Papyrus, Libre Air, Cybook, jetBook, BeBook—the list of these funky-sounding names could go on, seemingly without end. But while these appellations might not have made it into Webster’s yet, they are extremely relevant in today’s publishing world. So, what should all of these gadgets mean to you as an author?
In short: A lot. Thriller author James Patterson was the first novelist to sell a million ebooks last July; this summer, only a year later, he’s sold over three million. In fact, ebook sales recently surpassed print book sales on Amazon, only four short years after the introduction of the company’s Kindle ereader. UK publisher Bloomsbury has also been counting its lucky ebook stars; the company reportedly saw its ebook sales increase eighteen-fold during the first quarter of 2011, bringing in around $1.8 million.
If you are considering publishing your book in a digital format, know that it is imperative to make sure it is available to all digitally inclined readers out there—no matter their gadget preference.
According to Wired, the most popular ereaders purchased in today’s market are the Kindle, Nook, Sony Reader, iPad/iPhone, and netbooks. Still, the most popular way to read a digital book is on a trusty ol’ laptop. Luckily, there are only two main file formats for all these different readers—the .prc and .epub formats—and it is essential that your book is made available in both. The .prc format is Kindle’s file of choice, while Apple and most other ereaders are compatible with .epub files.
To get your Word document ready for ebook readers, consider using a conversion professional. Conversion houses like codeMantra, Aptara, or eBook Architects will ensure that your book looks its best in its digital form, assisting you with interior layout and digital cover design.
If you’re in a DIY mind-set for your book, software such as Calibre and MobiPocket’s eBook Creator will let you convert on your own. With these types of programs, all you’ll usually need to do is upload your .doc or .pdf file into the software, make adjustments as needed, click the “Convert” button and hit “Save.” It can get the job done if you’re seeking a simple ebook or if you want to get a feel for how your book will look on a digital reader.
If you’re hoping to maximize exposure, be sure to have a web page for your ebook with links for readers to buy at each of the digital bookstores. Don’t just make your ebook available on Amazon and call it quits. Get in contact with a conversion house or download ebook software and you’ll be on your way to ensuring that your words are read on every possible screen.
Check out the Big Bad Book Blog next week for tips on how to effectively market your ebook once it’s on the digital shelves.
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http://www.greenleafbookgroup.com/trackback/2635Top 5 Marketing Mistakes Authors Make
March 2, 2011Writers are an enthusiastic and passionate bunch, but when it comes to marketing, we see more confused faces, blank stares, and resistance than in any other industry. It's easy to be idealistic about writing a book, but when it comes down to it, publishing is a business, and authors who want to sell books need to be on top of marketing. To offer some guidance on the topic, here are the top five mistakes we see authors make in their marketing efforts.
#1 Not Doing Any Marketing at All
The worst thing you can do as an author is nothing. Publishers and bookstores alike are concerned about bottom lines and profit margins. They won’t risk their money on a title with no marketing support. Even if you do manage to get it into bookstores, if you don’t drive people in to buy your book, you may be stuck with hundreds of returns as the books that never sell make their way back to the warehouse (leaving you looking like a dud not worth publishing again). In many cases, you have roughly three months from the date of publication to prove the strength of your title. If it doesn’t move, you can say goodbye bookstore and hello backlist.
#2 Waiting Until They’re Published
Everyone wants a bestseller. Did you know that bestseller status is based on velocity of sales and not on the total amount of sales? That velocity is built largely on preorders from retail stores? Retail stores start making their purchase decisions as many as six months before the date of publication, which means you have to prove you have the followers before you even have a book. You need to start building your author platform now. It takes three months to get traction, six months to see results, and a good year to build up a decent platform. Don’t wait.
#3 Expecting the Publisher to Do It All for Them
Again, publishing is a business. If you go out and start a business, you don't expect the bank who fronts the loan to do marketing for you. Publishers take on titles based on the assumption that you will actively sell your book, and they are expecting you to deliver. Even though this can be frustrating, it’s your career hanging in the balance if the book doesn't sell.
#4 Automating Everything
Too many people—not just authors—think that marketing is automated content. It’s not. I’m all for re-purposing content and streamlining processes, but a constant stream of one-way ads and promotional posts is a cop-out. Today’s market demands engagement. They want direct access to the real you in real time. Don’t set your marketing on cruise control.
#5 Not Making It Professional
Last but not least, too many authors plop a DIY website with no content and a few weak profiles on the Internet and attend one writer’s conference and call that being a professional author. You have to dress for success, and your marketing materials have to be up to snuff. You need to invest in professional websites, vibrant materials, and a professional appearance so you always make a great first impression. Any author with the intention of getting into Barnes & Noble should expect to spend at least $5,000 to $10,000 on marketing.
If you are an aspiring author, I implore you to take heed and put some thought and money into your marketing. To succeed in retail, you need great marketing in addition to a great book. Don’t leave it up to chance!
Shennandoah Diaz is president of Brass Knuckles Media, an uncensored PR & Marketing firm catering to creatives and the avant garde. Passionate about education, Diaz empowers creatives by sharing articles and teaching workshops on marketing, social media, and publishing. Learn more at www.brassknucklesmedia.com or at www.shennandoahdiaz.com.
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http://www.greenleafbookgroup.com/trackback/2244On Piracy, Ebooks, and Giving Away Your Book for Free
February 15, 2011Beloved author Neil Gaiman discusses why he's not concerned about book piracy, and what happened when he convinced his publisher to give away his book for free.
As long as we've had access to unprecedented amounts of information via the internet, there has been the problem of piracy. Even before ebooks and digital rights management, people were posting and sharing poems, stories, and book chapters on the internet without permission from the author or publisher.
In this quick clip, sci-fi powerhouse Neil Gaiman weighs in with his experience on the issue of piracy, from an author's perspective. After looking at trends in his own book sales, Mr. Gaiman champions the idea that if you give away some of your content for free, consumers will still buy your book--an idea that people have thrown around for years and that has new poignancy due to increasing ebook sales.
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http://www.greenleafbookgroup.com/trackback/2242Best Blogging Practices, Part Five: Blog Vital Signs
August 3, 2010As an author, you’ve probably been told you should be blogging. Blogs are an excellent way to engage your audience and establish yourself as an authority figure. Still, many find the idea of blogging overwhelming and the actual process of writing blog posts almost unbearable. But with a little bit of planning, a few shortcuts, and some tips from the blogosphere, you can be posting and engaging with readers in no time. Here is our five-part series on blogging to help you get started:
Part One: To Blog or Not to Blog (why you should blog)
Part Two: A Blog Without a Cause (what to blog about)
Part Three: Taming the Blog Monster (managing your blog)
Part Four: The Blog Without a Name (promoting your blog)
Part Five: Blog Vital Signs (tracking your progress)
Now that you’ve set up your blog, developed your content, and shared your posts, you’re probably wondering why you’re doing this in the first place? Does it really help you sell books?
Short answer: Yes.
Long answer: Blogs are one of the best ways to create a community of followers. Still, you want to know your time is worth it and that your efforts are working, so it’s best to track your blog statistics. Luckily, there are a couple of free tools out there that make it easy to do so.
This free tool from Google lets you track how many visitors come to your site, how they are finding you, and what content they are viewing most. This is a great way to see what’s working, what’s not, and how well you are doing.
Spredfast is a social media dashboard that lets you post and manage multiple media channels from one portal. There are several packages available, but you will need to contact them directly for pricing as it varies on a case by case basis. The depth of reporting changes with each package, but even the basic package lets you see which users are sharing your posts, how many people are viewing them, and what your total engagement with your audience is like.
- Share impressive numbers with your publicist or publisher to show demand.
- Identify which content people are interested in—or not interested in—so you can adjust new information to meet those needs.
- Track how offline trends affect online trends.
- Work with your publicist to improve your overall marketing strategy.
Check the stats frequently so you can easily see the correlation between trends and content and adjust accordingly. Above all, don’t get so caught up in numbers that you ignore what people are actually telling you. Comments, also, are a great way to track your progress and get ideas for new content and books.
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http://www.greenleafbookgroup.com/trackback/2192Best Blogging Practices, Part One: To Blog or Not to Blog
July 8, 2010As an author, you’ve probably been told you should be blogging. Blogs are an excellent way to engage your audience and establish yourself as an authority figure. Still, many find the idea of blogging overwhelming and the actual process of writing blog posts almost unbearable. But with a little bit of planning, a few shortcuts, and some tips from the blogosphere, you can be posting and engaging with readers in no time. Here is our five-part series on blogging to help you get started:
Part One: To Blog or Not to Blog (why you should blog)
Part Two: A Blog Without a Cause (what to blog about)
Part Three: Taming the Blog Monster (managing your blog)
Part Four: The Blog Without a Name (promoting your blog)
Part Five: Blog Vital Signs (tracking your progress)
As Seth Godin and Tom Peters say in this video, blogging is the best marketing tool that lets you involve yourself in an actual conversation with your audience.
http://www.youtube.com/watch?v=livzJTIWlmY
Now, what is a blog? I’m sure you have some idea (you are reading one now, after all), but here is another video that explains what a blog is, in simple language and with great visuals:
http://www.youtube.com/watch?v=NN2I1pWXjXI
Now you can see why blogging is so important to your platform. It’s a free and easy way to share news, ideas, events, and other important items related to your marketing message.
Getting started
The first thing you need to do is choose a catchy, easy-to-spell, and relevant URL. Your options include:
- Purchasing a domain outright from such places as Go Daddy
- Hosting your blog on your existing website
- Using a free service such as Blogspot or WordPress
Since blogs are updated regularly, hosting your blog on your website gives you the best search engine optimization for your website, but a free site is just as good in terms of creating continuous and engaging content.
Next, you need to develop relevant content, which is covered in part two of our Best Blogging Practices series.
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June 7, 2010The digital world of books is changing fast, and the tools available are growing by the minute. One cool tool we recently came across is a concept from Japan that turns an iPhone into an interactive reading experience for children. The video below demonstrates this new concept of an interactive device inside a physical book.
http://www.youtube.com/watch?v=AQ-oQihxBws&feature=player_embedded
This application is available on Amazon.co.jp and a couple of other stores such as Rakuten and 7netshopping. The application sells for about $30 and as of now is only available in Japan. It actually debuted last year, but only recently hit the market. It may take several more months for it to reach American stores.
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http://www.greenleafbookgroup.com/trackback/2174The Future of Publishing?
March 24, 2010A fascinating and insightful video about the future of publishing. This video was created by the khaki group and presented by the UK branch of Dorling Kindersley Books for an internal presentation, and has since spread throughout DK and Penguin Group.
Watch it through to the very end. Things are not always as they seem!
http://www.youtube.com/watch?v=Weq_sHxghcg&feature=player_embedded
Read an interview with the creator of the video, Zoe Uffindell, on the Penguin Blog: http://bit.ly/futureofpublishing.
Pass it on.
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http://www.greenleafbookgroup.com/trackback/2167Digital Disintegration: Preservation in the Age of Technology
March 18, 2010
It’s a problem that most of us haven’t considered. More writers than ever before look to the ease of the computer and word processing to practice their craft with an unprecedented ease. The days of scribbling notes in margins and scratching through lines has, except for a few nostalgic stalwarts, become a quaint reminder of life sans the digital.
But the problem comes not during the process, but after it: during the preservation.
You might imagine that saving files on computers—say, a Microsoft Word .doc on a flashdrive—would present easy access and storage for an archivist. Surely much more so than dusty, half-decayed papers in an early 20th-century writer’s old desk. But what about when .doc becomes redundant and flash drives are as antiquated as floppy drives? How do previous drafts and notes and sketches of writers become preserved for future generations, when they may be stored on a piece of technology destined to become outmoded by the end of the month?
In Patricia Cohen’s New York Times article “Fending Off Digital Decay, Bit by Bit,” she examines just this problem. The line that sums it up best: “Imagine having a record but no record player.” This is forcing museums and archives to get creative in how they save and display digital works. Emory University, for example, has created an exhibit that emulates Salman Rushdie’s 90s-style ‘electronic universe’, with interactive technology that allows visitors to experience how Rushdie worked.
And even more exciting ideas are already being tossed around with regards to the writers of today: viewing websites an author browsed while writing, for instance.
But problems abound: how to convert old technology when many of today’s archivists are unfamiliar with the processes involved? (In fact, Cohen states that mostly it is police archivists who are able to work with old files and covert them into usable formats.) What to do if one accidentally deletes a precious file? (If you’ve ever done that, then you’ll recall the panic it causes.) How to protect something with no physical form, when the elements can destroy what it is being saved on? (For all that pen and paper may seem quaint, acid-free paper is much easier to store in bulk over time than a CD.)
It will be up to preservationists and archivists and curators to find new and inventive ways to capture the world of the writer, when so much of the formerly physical has become the intangibly digital. But you as a writer can certainly take steps toward preserving your own works and processes through fun and inventive ways. Take photographs of your writing space (and create physical copies!). Keep a journal (in an old-fashioned spiral journal, perhaps!). Make lists of websites you visit and articles you scan through. Make videos (burn them to a DVD, and keep the original digital file for when the next big video format comes through!). Keep a blog, then create your own POD book of the entries.
Exhausting, but writers interested in leaving behind legacies of more than just their books should certainly be interested in how the world of writing and its preservation continues to evolve.
Sort of makes you nostalgic for the typewriter, doesn’t it?
